1. Navigatore 07:22
2. Wadi Rum (Introduction) 01:18
3. Wadi Rum 05:23
4. Fui Piedra 05:38
5. Sahari 08:23
6. Bolbol 05:07
7. Alto Pais (Introduction) 01:17
8. Alto Pais 05:02
9. Monajat 04:27
10. Ultimo Fandango 04:26
11. Tavakkol 05:05
12. Vagabundo 04:08
13. Chokr 01:32
14. Mohabbat 04:46
Total time: 63'54
RENAUD GARCIA-FONS - NAVIGATORE
ORDER NO. ENJ-9418 2
Chris Hayward flutes
Yves Favre trombone
Jean-Louis Matinier accordion
Kudsi Erguner ney
Karim Ziad gumbri
Rabah Khalfa derbouka, carcabas
Bruno Caillat tablas, dâf
Patrice Héral drums
Pierre Hamon bagpipes, recorder
Françoise Couvert violin
Franck Pichon violin
Bruno Sansalone clarinet
Laurent Malet fluegelhorn
Claire Antonini lute, târ, saz a. m.
Hakan Gungor kanoun
Dahmane Khalfa carcabas, tbel a. m.
Adel Shams El Dine rek
Jorge Trasante drums, bombo a. m.
Franck Tortiller marimba, gongs a.m.
Antonio Ruiz "Kiko" flamenco guitar
Philippe Couvert violin
Renaud Garcia-Fons 5-string bass
The most amazing double bass player of our times, Renaud Garcia-Fons is known for his overwhelming virtuosity, his Mediterranean melodic sense and his viola-like con-arco sound. A student of the legendary Syrian bassist François Rabbath, Garcia-Fons is not only influenced by jazz and classical music, but also by flamenco, new musette, tango, Bretonian, Andalusian, African, Latin American, Arabic and Indian traditions. His unique artistry led to many exciting and successful collaborations with other open-minded players like Rabih Abou-Khalil, Michael Riessler, Dhafer Youssef, Nguyên Lê, Gérard Marais, Pedro Soler and Michel Godard.
In the tradition of his visionary album "Oriental Bass" of 1997, Garcia-Fons' joyful east-western synthesis comes to a climax on "Navigatore" that features 22 different players in a string of powerful original compositions. An epic and compelling ensemble music, "Navigatore" displays a wide spectrum of moods and grooves using even Spanish, Bretonian, Arabic and Indian instruments. Says Garcia-Fons: "Each composition tells a story - the story of a life, a round trip - somehow as if we would pass successively through several existences in time and place. In the sequence of these 12 compositions I have tried to evoke memories of imaginary lives which happened in the orient and the occident, yesterday and before yesterday. The double bass personifies a voice with different shadings - a voice of a being in transition."
Robert Kaye, Global Rhythm Magazine